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The last dice in the casino was rolled by Bob Stupak just after 6pm on June 30, On November 26 of that year, it was finally imploded and demolished, much to the dismay of longtime employees and sentimentalists.
Today, The Venetian stands where the Sands once stood. Freedman had initially intended naming the hotel "Holiday Inn" after the film of the same name starring Bing Crosby , but after noticing that his socks became so full of sand decided to name it Sands.
The hotel was opened on December 15, as a casino with rooms, and was established less than three months after the opening of another prominent landmark, Sahara Hotel and Casino.
Thomas was hired to perform for the first two weeks, but strained his voice on the second night and developed laryngitis ,  and was replaced with performers such as Jimmy Durante , Frankie Laine , Jane Powell , the Ritz Brothers , and Ray Anthony.
Jack Entratter , who was formerly in charge of the New York nightclub, the Copacabana, became the hotel's manager.
Entratter made many show business friends during his time at the nightclub; he was able to use these connections to sign performers for the Sands Copa Room.
Entratter was also able to offer entertainers an additional incentive to perform at the Sands. Headlining stars received "points", or a percentage of ownership in the hotel and casino.
In the early years, Freedman and his wife Carolyn were one of its attractions, wearing "matching white, leather outfits, replete with identical cowboy boots and hats".
Lansky and Costello brought the Sands to Frank Sinatra 's attention, and he began staying at the hotel and gambling there during breaks from Hollywood, though some sources state that he was not a hardcore gambler.
The big rollers left Vegas when Sinatra did, and other performers were reluctant to perform after him, feeling intimidated.
Entratter replaced Freedman as the president of the Sands Hotel following his death from heart surgery on January 20, Freedman's last wife Sadie subsequently lived in a suite in the Belmont Park wing into the mid s until her death.
Sinatra, who had attempted to buy a share in the hotel soon after first visiting in , but was denied by the Nevada Tax Commission , was now granted permission to buy a share in the hotel, due to his phenomenal impact upon business in Las Vegas.
In , limited integration came to heavily segregated Las Vegas when the Sands first allowed Nat King Cole to stay at the hotel and perform. When he asked his valet George to find out why, he learned that "Coloreds aren't allowed in the dining room at the Sands".
Sinatra subsequently saw to it that if blacks were not permitted to eat their meals in the dining room with everybody else he would see to it that all of the waiters and waitresses were fired, and invited Cole to dine with him the following evening.
Belafonte became the "first black man to play cards on the Las Vegas Strip". When the Will Mastin Trio began performing at Sands in , Davis informed Entratter that his father and uncle must be allowed permission to stay at Sands while he was performing there.
Entratter granted them permission but continued his objection to admitting other black guests.
Sinatra told the guards that they were his guests and let them into the hotel. Sinatra subsequently swore profusely down the phone to Sands executive Carl Cohen at how ridiculous the situation was, and the following day, Davis approached Entratter and demanded that Sands begin employing blacks.
Shortly afterwards the hotel changed its policy and it began hiring black waiters and busboys, and began permitting blacks entry into the casino.
In the late s, Senator John F. Kennedy was occasionally a guest of Sinatra at the Sands. Arguably the hotel's biggest claim to fame was a three-week period in during the filming of Ocean's 11 , after which it attained iconic status.
The performances were called the "Summit at the Sands" and this is considered to be the birth of the Rat Pack. The ill feeling was reciprocated by Sinatra.
Under previous management, Sinatra had no limits on the amount of credit extended to him by the Sands casino. His IOUs , chits or "markers" were torn up at the end of Sinatra's engagements because he was considered to be good for business-bringing the hotel more monetary value than the worth of his gambling losses.
Fuming, Sinatra began what The Los Angeles Times describes as a "weekend-long tirade" against the "hotel's management, employees and security forces".
He lost this sum within a short period of time. Sinatra then asked for credit, which was denied. Numerous employees had been humiliated or intimidated over the years, including a busboy Sinatra tripped while he was carrying a tray with dishes.
Frank Gagliardi became the drummer for the house orchestra in , starting a twelve-year tenure. In , Hughes stated that he intended to expand Sands into a 4,room resort, but his plans did not materialize.
In its final years, the Sands became a shadow of its former self — a throwback to the old days - and it ultimately could not compete with the newer and more exciting megaresorts that were being built on the Strip.
However, a s travel guide stated that the hotel gardens and pool area still retained the ambiance of the classic Sands days. Footage of the demolition also appeared in the closing credits of The Cooler.
The climactic plane crash in 's Con Air ended with the aircraft crashing into the soon-to-be-demolished Sands' lobby. The sign was receptive to the light and shadow of the desert, and during night time it was lit up, glowing neon red.
It was the tallest sign on the strip for a number of years. Beneath "Sands" was the tagline "A Place in the Sun", written in smaller capital letters.
Author Alan Hess wrote that the "sleek Modernism of the Sands leaped past the Flamingo to set a higher standard of sophistication for Las Vegas.
For the first time, the sign was an integral part of the architectural design". The two-story glass walled entry was bordered by a wall of imported Italian marble, and above the entrance area was a horizontal plane with copper lights suspended from the beams.
Natural and stained cork was used throughout the building. Leibling of The New Yorker described the hotel in In the middle is a jumble of roulette and craps tables and 21 layouts.
The bar featured bas-reliefs with a Western theme, including cowboys, racing wagons and Joshua trees, designed by Allan Stewart of Claremont College , California.
The guest rooms of the original hotel were divided into four two-story motel wings, each with fifty rooms, and named after famous race tracks.
Plush blue carpets and ivory colored chairs with white ceilings were the norm in the early days.
An electric tram service, often attended by pretty showgirls, took the guests to their rooms. It existed until November when it was demolished.
The steam room of the hotel was a place of relaxation and good jest. On one occasion they were having problems with the TV in the massage room, which was blurry and out of focus.
Sinatra yelled "Move back, move back", and the television was thrown into the pool. Manager Entratter permitted such activities, knowing that if he scolded Sinatra and asked him to pay damages he would not perform at Sands again.
It contained seats, designed in a Brazilian carnival style. Performers were extremely well paid for the period. The greatest names in the entertainment industry graced the stage of the Copa Room.
A number of notable albums were recorded in the Copa Room. Live at the Sands , a CD released in , features Martin, Sinatra and Davis in a live performance at the hotel recorded in September Much of the musical success of the Copa Room is credited to the room's band leader and musical conductor Antonio Morelli.
Morelli not only acted as the band leader and musical conductor for the Copa Room during the Hotel's Rat Pack heyday in the s and s,  but he also played that role on hundreds of recorded albums by those same entertainers who graced the stage of the Copa.
Often the festivities would carry over after hours to Morrelli's home in Las Vegas, nicknamed "The Morelli House ", which was eventually relocated and sanctioned an historical landmark by the State of Nevada.
The Silver Queen Lounge was another performing venue at Sands, with nightly acts starting at 5: After Presley saw that performance at The Sands, he decided to record the song himself, and it became a hit for him.
Roberta Linn and the Melodaires and Gene Vincent were also regular performers. From Wikipedia, the free encyclopedia.
For other uses, see Sands Casino disambiguation. For other uses, see Sands disambiguation. Sands Copa Room stars: Louis bookie Sid Wyman and Louis Lederer.
The more frequently someone performed there, the more his or her "points" would increase. Sinatra had long wanted to sell his interest in the property and reasoned that since he was an asset to the Sands' business, Hughes would buy his Cal-Neva shares in the interest of keeping the star happy.
Hughes declined to buy Sinatra's shares and would not acknowledge Sinatra's phone calls. An angry Sinatra left the hotel for his Palm Springs home and the Sands had no headlining star for its Labor Day weekend.
Jack Entratter was able to get Sammy Davis, Jr. At the time of the golf cart incident, Sinatra was aware that the practice of the Sands extending him credit had ended.
His account describes Sinatra as having had too much to drink when he drove the golf cart into the plate glass window of the Sands; Sinatra's wife, Mia Farrow , was his passenger.
Sinatra then tried to set fire to sofas and curtains in the hotel's lobby, but was not successful at starting a fire. When he was denied credit to continue gambling, Sinatra climbed onto a gaming table and declared that he would tear the hotel down to sand when he was done.
Since this was taking place at around 1: Cohen went to the hotel's coffee shop where he hoped to reason with Sinatra. Sinatra became angry during Cohen's explanation and upset the table where Cohen was seated.
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